Sound artist Peter Wong Tsz Kin began collecting the urban sounds of Hong Kong in 2021, traversing various locations to listen, setting up recording devices to capture, edit, document, and upload—systematically and digitally recording sounds to create a sound map and archive. After four years, Wong has become increasingly aware of his discomfort with the city's noise, the chaos of streets and sounds, and the daily bombardment of excessive auditory information, leading to a growing internal conflict with his identity as a field recordist.

This soundscape installation will incorporate selected segments of previously collected field recordings, a spatial audio system, virtual city sounds, and the juxtaposition of generative images alongside the artist's live interactions. It aims to deepen auditory experiences through the sedimentation of time, reinterpreting urban soundscape in a space that reflects profound internal contradictions, constructing a sound utopia where audiences can collectively experience and contemplate the possibility of finding tranquillity amidst the noise.